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Ted Lundström, Jocke Wallgren and Johan Hegg of Amon Amarth performing in 2025
CLARKSTON, MICHIGAN - JULY 17: (L-R) Ted Lundström, Jocke Wallgren and Johan Hegg of Amon Amarth performs at Pine Knob Music Theatre on July 17, 2025 in Clarkston, Michigan. (Photo by Scott Legato/Getty Images)
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Amon Amarth’s Ted Lundström Would Take the Slow Climb Again

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Amon Amarth bassist Ted Lundström says the band’s slow rise is exactly what allowed it to last.

In a new interview with KillerTube, Lundström looked back on more than 30 years of incremental growth, from sleeping bags and cheap food on early tours to a point where the members could finally leave their day jobs.

“I don’t wanna be a band that gets big overnight,” he said in comments transcribed by Blabbermouth.

The reason is practical rather than romantic. Lundström believes sudden success can leave a band without the experience to understand what is happening around it. Amon Amarth learned each part of the job while the rooms grew, giving the members time to adjust without treating the next level as guaranteed.

He points to a US run with Children of Bodom in 2005 and 2006 as a turning point. Years into the band’s life, the tour put Amon Amarth in front of a much larger North American audience and helped make professional touring sustainable. It was a breakthrough, but it arrived after the group had already spent years learning how to travel badly and keep going.

That confidence now reaches the music itself. The Allfather Awakens includes ‘Upphaf’, an acoustic piece Lundström says the band would never have attempted when it was younger. At the time, anything outside a strict melodic-death-metal frame would have felt forbidden. Three decades later, Amon Amarth no longer needs every track to prove what kind of band it is.

The album’s scale may be larger, but Lundström’s preferred version of the story remains small: sleeping on floors, eating chips and watching the audience increase slowly enough for the band to understand why. That is the useful distinction in his account: patience was not a branding exercise but an operating method. Each modest step taught the band how to carry the next one, from surviving rough tours to making stranger choices in the studio. The mythology around Amon Amarth may be built at festival scale now, but Lundström’s version of longevity is unglamorous — learn the work, grow when the audience grows, and never confuse momentum with entitlement.