Bush are digging into their past and pulling something softer out of it.
The band have released a reworked version of ‘Swallowed’, marking 30 years since the track first landed on their 1996 album ‘Razorblade Suitcase’, and it’s a far more intimate take on one of their biggest songs.

Listen in on your outlet of choice here.
A quieter, more exposed version
This isn’t just a remaster, the ‘Swallowed (30th Anniversary Tour Version)’ strips the track back to its core, layering in a choral arrangement that shifts it away from its original alt-rock weight and into something more reflective.
Gavin Rossdale explained the thinking behind the rework (per press release):
“There’s something about stripping a song all the way back to its DNA, the melody has all the power. I wanted ‘Swallowed’ to feel like a hymn.”
It makes sense, after decades of playing the track live, songs tend to evolve, this version leans into that slow transformation rather than trying to recreate the original note for note.
Still moving forward, not just looking back
The release lands while Bush are still actively pushing ahead, their 2025 album ‘I Beat Loneliness’ continues to shape their current setlists, and they’ve been out on the road, recently hitting Stagecoach and venues across North America.
The tour rolls on through to late May before heading to Europe, then landing in Australia this September alongside Shinedown.
Australian tour locked in
Bush’s return down under is part of a broader run that keeps them firmly in circulation, not just trading on nostalgia.

Bush x Shinedown 2026 Tour Dates
- Thursday, September 17th – Auckland, Spark Arena
- Sunday, September 20th – Brisbane, Riverstage
- Wednesday, September 23rd – Sydney, Hordern Pavilion
- Friday, September 25th – Melbourne, John Cain Arena
- Sunday, September 27th – Adelaide, AEC Theatre
- Tuesday, September 29th – Perth, HPC Perth
Find out more and get your tickets here.
The bigger picture
Reworking a track like ‘Swallowed’ could easily feel unnecessary, the original already carries weight, but this version doesn’t try to replace it. Bush have always existed in that space between grunge fallout and radio alt-rock.
Stripping things back like this shows they’re still willing to re-examine their own catalogue instead of just replaying it, thirty years in, that’s probably the only way it still means something.
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